I'm a fan of Bernard Chandran, I saw him last season and I love his collection. This season was also a delight and I got to interview him, which was lovely. Womenswear is usually fully controlled and I don't like the rules that are applied to, nevertheless Chandran pushed the boat out. Inspiration for the collection came from his home land, Malaysia and a mixture of metallics and princesses.
(ALL IMAGES COURTESY OF DEBORAH CROSSWIRE)
The traditional Malay sarongs were of obvious and important inspiration, along with the usage of native silks. "I wanted to break conventions and give normal girls the chance to become princesses", this is what is done rather well in this collection, traditional dresses of the royal members are being modernised with a urban undertone. Oversized caped sleeves providing strong silhouettes, celebrating the female form in all it's sultriness, this seemed to be a motif throughout the show. An appearance of pinstriped -bandeau jumpsuits assembled with asymmetrical cuts gave the line a futuristic air about it. A radical re-invention of princess-wear and royal uniform is something we are embracing.
To Ra.
(ALL IMAGES COURTESY OF DEBORAH CROSSWIRE)
The traditional Malay sarongs were of obvious and important inspiration, along with the usage of native silks. "I wanted to break conventions and give normal girls the chance to become princesses", this is what is done rather well in this collection, traditional dresses of the royal members are being modernised with a urban undertone. Oversized caped sleeves providing strong silhouettes, celebrating the female form in all it's sultriness, this seemed to be a motif throughout the show. An appearance of pinstriped -bandeau jumpsuits assembled with asymmetrical cuts gave the line a futuristic air about it. A radical re-invention of princess-wear and royal uniform is something we are embracing.
To Ra.
